Exotic Scales for Guitar

Exotic Scales for Guitar presents positions and patterns for more than 50 exotic scales: 6 strings patterns, root-to-root octave, high string patterns, 3 notes per string and so on...
List of presented scales:

• Hindu (1, 2, 3, 4, 5, b6, b7)
• Hungarian Minor (1, 2, b3, #4, 5, b6, 7)
• Hungarian Major (1, #2, 3, #4, 5, 6, b7)
• Oriental (1, b2, 3, 4, b5, 6, b7)
• Ionian Aug #2 (1, #2, 3, 4, #5, 6, 7)
• Ionian bb3 bb7 (1, b2, bb3, 4, b5, b6, bb7)
• Double Harmonic (1, b2, 3, 4, 5, b6, 7)
• Lydian #6 #2 (1, #2, 3, #4, 5, #6, 7)
• Altered #5 b7 (1, b2, b3, 3, 5, b6, bb7)
• Altered b6 b7 (1, b2, b3, 3, b5, bb6, bb7)
• Locrian #2 #7 (1, 2, b3, 4, b5, b6, 7)
• Altered #6 (1, b2, b3, 3, b5, 6, b7)
• Melodic Augmented (1, 2, b3, 4, #5, 6, 7)
• Dorian b2 #4 (1, b2, b3, #4, 5, 6, b7)
• Lydian Augmented #3 (1, 2, #3, #4, #5, 6, 7)
• Neapolitan Major (1, b2, b3, 4, 5, 6, 7)
• Neapolitan Minor (1, b2, b3, 4, 5, b6, 7)
• Lydian #6 (1, 2, 3, #4, 5, #6, 7)
• Dominant Augmented (1, 2, 3, 4, #5, 6, b7)
• Hungarian Gypsy (1, 2, b3, #4, 5, b6, b7)
• Locrian #3 (1, b2, 3, 4, b5, b6, b7)
• Ionian #2 (1, #2, 3, 4, 5, 6, 7)
• Altered b3 b7 (1, b2, bb3, 3, b5, b6, bb7)
• Lydian Augmented #6 (1, 2, 3, #4, #5, #6, 7)
• Lydian Dominant Augmented (1, 2, 3, #4, #5, 6, b7)
• Lydian Minor (1, 2, 3, #4, 5, b6, b7)
• Major Locrian (1, 2, 3, 4, b5, b6, b7)
• Altered #2 (1, 2, b3, 3, b5, b6, b7)
• Altered b3 (1, b2, bb3, 3, b5, b6, b7)
• Enigmatic (1, b2, 3, #4, #5, #6, 7)
• Enigmatic Minor (1, b2, b3, #4, 5, #6, 7)
• Composite II (1, b2, 3, #4, 5, b6, 7)
• Ionian b5 (1, 2, 3, 4, b5, 6, 7)
• Dorian b4 (1, 2, b3, b4, 5, 6, b7)
• Phrygian b3 (1, b2, bb3, 4, 5, b6, b7)
• Lydian b2 (1, b2, 3, #4, 5, 6, 7)
• Superlydian Augmented (1, #2, 4, #4, #5, #6, 7)
• Aeolian bb7 (1, 2, b3, 4, 5, b6, bb7)
• Locrian bb6 (1, b2, b3, 4, b5, bb6, b7)
• Locrian #2 (1, b2, b3, 4, b5, b6, 7)
• Ionian #6 (1, 2, 3, 4, 5, #6, 7)
• Dorian Augmented (1, 2, b3, 4, #5, 6, b7)
• Phrygian #4 (1, b2, b3, #4, 5, b6, b7)
• Lydian #3 (1, 2, #3, #4, 5, 6, 7)
• Dominant #2 (1, #2, 3, 4, 5, 6, b7)
• Altered Alt (1, b2, bb3, 3, b5, bb6, bb7)
• Persian (1, b2, 3, 4, b5, b6, 7)
• Kumoi (1, 2, b3, 5, 6)
• Hirojoshi (1, 2, b3, 5, b6)
• Whole Tone (1, 2, 3, #4, #5, #6)
• Augmented (1, #2, 3, 5, b6, 7)
• Pelog (1, b2, b3, 3, 5, b6)
• Dominant Sus (1, 2, 4, 5, 6, b7)

For each scale are also presented related chords for improvisation analysis.

421 pages

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