Showing posts with label advanced. Show all posts
Showing posts with label advanced. Show all posts

Exotic Scales for Guitar

Exotic Scales for Guitar presents positions and patterns for more than 50 exotic scales: 6 strings patterns, root-to-root octave, high string patterns, 3 notes per string and so on...
List of presented scales:
  • Hindu (1, 2, 3, 4, 5, b6, b7)
  • Hungarian Minor (1, 2, b3, #4, 5, b6, 7)
  • Hungarian Major (1, #2, 3, #4, 5, 6, b7)
  • Oriental (1, b2, 3, 4, b5, 6, b7)
  • Ionian Aug #2 (1, #2, 3, 4, #5, 6, 7)
  • Ionian bb3 bb7 (1, b2, bb3, 4, b5, b6, bb7)
  • Double Harmonic (1, b2, 3, 4, 5, b6, 7)
  • Lydian #6 #2 (1, #2, 3, #4, 5, #6, 7)
  • Altered #5 b7 (1, b2, b3, 3, 5, b6, bb7)
  • Altered b6 b7 (1, b2, b3, 3, b5, bb6, bb7)
  • Locrian #2 #7 (1, 2, b3, 4, b5, b6, 7)
  • Altered #6 (1, b2, b3, 3, b5, 6, b7)
  • Melodic Augmented (1, 2, b3, 4, #5, 6, 7)
  • Dorian b2 #4 (1, b2, b3, #4, 5, 6, b7)
  • Lydian Augmented #3 (1, 2, #3, #4, #5, 6, 7)
  • Neapolitan Major (1, b2, b3, 4, 5, 6, 7)
  • Neapolitan Minor (1, b2, b3, 4, 5, b6, 7)
  • Lydian #6 (1, 2, 3, #4, 5, #6, 7)
  • Dominant Augmented (1, 2, 3, 4, #5, 6, b7)
  • Hungarian Gypsy (1, 2, b3, #4, 5, b6, b7)
  • Locrian #3 (1, b2, 3, 4, b5, b6, b7)
  • Ionian #2 (1, #2, 3, 4, 5, 6, 7)
  • Altered b3 b7 (1, b2, bb3, 3, b5, b6, bb7)
  • Lydian Augmented #6 (1, 2, 3, #4, #5, #6, 7)
  • Lydian Dominant Augmented (1, 2, 3, #4, #5, 6, b7)
  • Lydian Minor (1, 2, 3, #4, 5, b6, b7)
  • Major Locrian (1, 2, 3, 4, b5, b6, b7)
  • Altered #2 (1, 2, b3, 3, b5, b6, b7)
  • Altered b3 (1, b2, bb3, 3, b5, b6, b7)
  • Enigmatic (1, b2, 3, #4, #5, #6, 7)
  • Enigmatic Minor (1, b2, b3, #4, 5, #6, 7)
  • Composite II (1, b2, 3, #4, 5, b6, 7)
  • Ionian b5 (1, 2, 3, 4, b5, 6, 7)
  • Dorian b4 (1, 2, b3, b4, 5, 6, b7)
  • Phrygian b3 (1, b2, bb3, 4, 5, b6, b7)
  • Lydian b2 (1, b2, 3, #4, 5, 6, 7)
  • Superlydian Augmented (1, #2, 4, #4, #5, #6, 7)
  • Aeolian bb7 (1, 2, b3, 4, 5, b6, bb7)
  • Locrian bb6 (1, b2, b3, 4, b5, bb6, b7)
  • Locrian #2 (1, b2, b3, 4, b5, b6, 7)
  • Ionian #6 (1, 2, 3, 4, 5, #6, 7)
  • Dorian Augmented (1, 2, b3, 4, #5, 6, b7)
  • Phrygian #4 (1, b2, b3, #4, 5, b6, b7)
  • Lydian #3 (1, 2, #3, #4, 5, 6, 7)
  • Dominant #2 (1, #2, 3, 4, 5, 6, b7)
  • Altered Alt (1, b2, bb3, 3, b5, bb6, bb7)
  • Persian (1, b2, 3, 4, b5, b6, 7)
  • Kumoi (1, 2, b3, 5, 6)
  • Hirojoshi (1, 2, b3, 5, b6)
  • Whole Tone (1, 2, 3, #4, #5, #6)
  • Augmented (1, #2, 3, 5, b6, 7)
  • Pelog (1, b2, b3, 3, 5, b6)
  • Dominant Sus (1, 2, 4, 5, 6, b7)
For each scale are also presented related chords for improvisation analysis.

421 pages

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Diminished Chords

Diminished Chords is intended for everyone who wants to understand how jazz guitar harmony works. This volume presents minor tonic chord voicings for diminished chord (dim7) family. For each chord position are reported related arpeggios and scales for improvisation and numerous examples of usage in typical ii-V-I situation and other well known progression. This book presents material for both novice and advanced jazz players.

279 pages

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HalfDiminished Chords

HalfDiminished Chords is intended for everyone who wants to understand how jazz guitar harmony works. This volume presents minor tonic chord voicings for halfdiminished chord (min7b5) family. For each chord position are reported related arpeggios and scales for improvisation and numerous examples of usage in typical ii-V-I situation and other well known progression. This book presents material for both novice and advanced jazz players.

205 pages

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Altered Dominants Pt2

Altered Dominants Pt2 is intended for everyone who wants to understand how jazz guitar harmony works. This volume presents voicings for uncommon altered dominant chords (just a single alteration). For each chord position are reported related arpeggios and scales for improvisation and numerous examples of usage in typical ii-V-I situation and other well known progression. This book presents material for both novice and advanced jazz players.

167 pages

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Altered Dominants Pt3

Altered Dominants Pt3 is intended for everyone who wants to understand how jazz guitar harmony works. This volume presents voicings for altered dominant chords (with two alterations). For each chord position are reported related arpeggios and scales for improvisation and numerous examples of usage in typical ii-V-I situation and other well known progression. This book presents material for both novice and advanced jazz players.

351 pages

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Suspended Chords

Suspended Chords is intended for everyone who wants to understand how jazz guitar harmony works. This volume presents voicings for suspended chords. For each chord position are reported related arpeggios and scales for improvisation and numerous examples of usage in typical ii-V-I situation and other well known progression. This book presents material for both novice and advanced jazz players.

236 pages

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