You will discover patterns along the fretboard and modal approaches.
If you are a pentatonic fanatic you'll find in this book the right tool to expand your scale and sound vocabulary.
Analized arpeggios:
- maj9 (1, 2, 3, 5, 7)
- 6/9 (1, 2, 3, 5, 6)
- maj7/#11 (1, 3, #4, 5, 7)
- 6/#11 (1, 3, #4, 5, 6)
- maj7/13 (1, 3, 5, 6, 7)
- min9 (1, 2, b3, 5, b7)
- min6(9) (1, 2, b3, 5, 6)
- min7(6) (1, b3, 5, 6, b7)
- minmaj9 (1, 2, b3, 5, 7)
- minmaj7(6) (1, b3, 5, 6, 7)
- 9 (1, 2, 3, 5, b7)
- sus9 (1, 2, 4, 5, b7)
- sus(b9) (1, b2, 4, 5, b7)
- 9/b5 (1, 2, 3, b5, b7)
- 9/#5 (1, 2, 3, #5, b7)
- 7/b9 (1, b2, 3, 5, b7)
- 7/b5/b9 (1, b2, 3, b5, b7)
- 7/#5/b9 (1, b2, 3, #5, b7)
- 7/#9 (1, #2, 3, 5, b7)
- 7/b5/#9 (1, #2, 3, b5, b7)
- 7/#5/#9 (1, #2, 3, #5, b7)
- 7/b13 (1, 3, 5, b6, b7)
- alt5 (1, 3, b5, #5, b7)
- minb5(9) (1, 2, b3, b5, b7)
- min7b5(11) (1, b3, 4, b5, b7)
- min7b5(b13) (1, b3, b5, b6, b7)
- dimmaj7 (1, b3, b5, bb7, 7)
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